Free Reason Synths Refill. The Reason Synths ReFill is a collection of synth patches suitable to use in creation of various types of electronic music, such as Ambient, Dubstep, Drum & Bass, Electro, Techno, Trance. SM101 Drum Fills – Sample Magic; Indie Rock Drums – The Loop Loft; More details 008' Hip Hop Workshops - 008' 008' Hip Hop Workshop provides a solid foundation for all types of HipHop, Rap and urban tracks. The heart of this refill is in its 30 full Kong kits, with 480 single Kong pad patches.

New Loops ‘Percussion’ is a unique mix of live and synth percussion in a single package and features a total of 1297 high quality percussion sounds.

To make this percussion library we recorded tens of thousands of pounds’ worth of concert instruments including a 4 piece Timpani, Xylophone, Glockenspiel, Tubular Bells, Orchestral Cymbals, Concert Bass Drums, Symphonic Gong and loads more.

This percussion library has a wealth of useful instruments including various shakers, tambourines, Goblet Drums, Damaru, Bongos, Toms, Granite Blocks, Agogo Bells, and many other day-to-day percussion instruments.

New Loops ‘Percussion’ also includes 611 Drum Machine samples to cover all your modern electronic percussion sounds and has various toms, rims, cowbells and synth percussion, as well as classic sounds like 808 and 909 drums – all multi-sampled in various pitches and decay lengths.

These samples have a clean and punchy sound with very low noise. The live sounds have been recorded with a close mic position. Each sound has been meticulously edited and neatly organized in to separate folders.As with all New Loops sample packs, once purchased ‘Percussion’ is 100% royalty free to use in your songs and audio productions. We are sure you will find this percussion library a great resource for years to come.

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One of the best things you can do to make your beats more dynamic and interesting is to add some drum fills.Drum fills are pretty much an essential part of any song - they serve as a way to transition between different sections of the track, building and releasing tension, and ensuring the listener isn’t bored by a monotonous, one-dimensional rhythm that never changes.That said, placing fills in your arrangement can be a pain-staking process that eats up a lot of time. In this tutorial, we’re going to look at a cool, quick way to incorporate fills that won’t slow you down when you’re on a creative roll.Using the Session View in Ableton Live, we’ll pre-program a selection of fills, and then automate their playback, essentially giving the effect of a live drummer playing independently. Let's get started! Laying The FoundationFirst of all, we’re going to create a simple House rhythm using some samples from our pack.We’ve got a Drum Rack plugged into a MIDI track in our project, and have dragged and dropped the samples we want to use on to a few drum pads:Making sure we’re in Session View and not Arrangement View, let’s double click in the first clip spot of the track to create the MIDI pattern for our main beat:As you can see above, we’ve programmed our simple 1-bar drum pattern using the MIDI Note Editor. If we loop the beat over 4 bars, this is what we get:A fairly solid beat I’m sure you’ll agree, but it’ll be a bit boring if this is the only thing our drums do for the whole track! So now we’re going to add a few variations - these will be our drum fills.Filling Up The TankLet’s copy our beat into the 2nd clip slot by holding alt and dragging the first clip down.

We’ll rename the first clip 'Main', the copy ‘Fill1’ and make some small adjustments in the MIDI Note Editor:We only want our fills to play for 1 bar, so we won’t be looping them in this instance. Here’s what the resulting drum fill sounds like:Now we’re going to repeat that process another 3 times, so we’ll end up with 4 different drum fills, each one slightly different from the other:Here's how the clips stack up on our MIDI track.and here’s what our others fills sounds like:Great! We can now play around with our beat in real time, triggering each clip as and when we please, to create an interesting rhythm on the fly.Now, this is all well and good, but what if we want to free ourselves up to do other things as well. What if we want to start developing a synth part, while keeping that interesting, changing rhythm in the background? Well, we can’t just now because we keep having to manually trigger each drum fill. Preparing The LaunchpadThis is where we get into the magic of automating our beat! Point facture serial crack logic pro. Basically, we want to hit play on our drum part, and have it play the fills on its own.

The way we do this is by making use of Ableton’s Launch Box, which can be found in the Clip View when you click on an individual clip:The Launch Box can be shown or hidden using the ‘L’ selector in the bottom left corner of the screenshot above. Inside the Launch Box are a variety of options, but for this tutorial we’re going to focus on the Follow Action section.The screenshot above shows the Launch Box for our ‘Main’ beat clip, and you can see that I’ve selected 3 bars as the Follow Action Time. This means that 3 bars after the clip is launched, something will happen.Now we need to define what that something is, and that is done in the next box down:This box is called Follow Action A, and allows us to specify one of two possible Follow Actions for the clip (the box to the right being Follow Action B). As you can see above, I’ve selected ‘Other’ as the Follow Action for our ‘Main’ clip. This means that after 3 bars of the ‘Main’ clip, any clip other than the current one will be triggered in a random fashion.Now we need to make sure that after a fill is triggered, the beat returns to the ‘Main’ pattern again. We do this by opening the Launch Box for each ‘Fill’ clip, setting the Follow Action Time to 1 bar, and Follow Action A to ‘First’:Now hit Play and listen to your drum track play fills all on its own!We’re now free to let our automated 'drummer' groove away while we start developing some other parts to our track.Let’s add some more percussive layers to our beat, as well as some tasty licks from our pack to give you a sense of how it sounds in context:So there we have it, our own personal electronic percussionist, drumming away whilst we develop synths and keys on top of the rhythm. Imagine how complex you could make your patterns with upwards of 10 fills, as well as additional percussion parts that have their own variant fills themselves?