Gibson Banjo Serial Numbers Post War
As one of the oldest and most widely recognized brands in music, has crafted some of the most cherished and valuable instruments of all time. Determining exactly when your Gibson specimen was made can have high stakes attached to it.
Sure - Gibson made a lot of banjos without serial numbers (FON - factory order number). I just played one of the best 'the Reverend Glen O'dell' - an original pre-war five-string flathead. A significant number of the later lower grade Gibsons (pre-war) 1's, and 11's did not have numbers.
A difference of only one year - sometimes even several months - can mean a four-figure difference in value.Our hope is to make the dating process and, in turn, the valuation as easy, accurate and transparent as possible. You should be able to use this guide to determine the year of your instrument and then consult the to find its value, all for free. Methods For Dating a Gibson InstrumentFor many vintage instruments, determining the date of manufacture involves little more than running the serial number through a reference guide.Whereas Martin guitars have been using a single, consistent numbering system since the 19th century, Gibson has several different serial number formats since its inception in 1902, meaning that some formats and numbers overlap across decades. This makes it especially important to first identify the general era during which your instrument was made before pinning down the exact date of manufacture with a serial number.If you know the backstory around when the instrument was purchased, this can provide some rough clues about its era.
The most general physical piece of evidence on the instrument, however, is going to be the logo on the headstock. Other Date-Linked FeaturesAside from the logos, each era of manufacturing included certain identifying traits such as the hardware (tuners, knobs, plates, etc.), the pickups, the type of finish, and the electronics inside that can give clues as to when an instrument was made.
But not a final verdict.Many older instruments may have reproduction or other non-original parts, including a non-original finish. This makes relying entirely on the physical features of a guitar potentially misleading.The thickness of the headstock, however, is not as vulnerable to modification or replacement. Before mid-1950, most Gibson headstocks were thinner at the top when looked at from a side profile.
After 1950, headstocks had uniform thickness. Dating a Gibson by Factory Order Number (FON)Gibson has historically used two different alpha-numerical formats to catalog its instruments: serial numbers and FONs (Factory Order Numbers). Instruments will generally have one or both of these numbers stamped or written either inside the body (generally the case on earlier models) or on the back of the headstock.FONs were Gibson’s way of internally tracking batches of instruments throughout production. These will generally date an instrument earlier than the serial number, as they were typically applied in the early stages of assembly.Some earlier lower-end models had no serial number at all, making the FON the sole numerical identifier in those cases. A FON usually consisted of a 3-, 4-, or 5-digit batch number followed by one or two other numbers in most cases. 1902 to 1945 FON Overview YearFON Batch # Range1902 - 19161 to 36501917 - 192311000 to 120001924 - 192511000A to 11250A (suffix included)1925 - 19318000 to 99991931 - 19331 to 89019341 to 150019351A to 1520A19361B to 1100B19371C to 1400C19381D to 1000D19391E to 980E1940 - 19451 to 7900 (some with letter, some without)From 1935 to 1942, the FON included a letter suffix.
The consistency around this stopped during WWII and resumed in the early 1950s.To complicate matters further, there was sometimes a second letter from 1938 to 1941 indicating the brand (G for Gibson, K for Kalamazoo, W for Recording King) and sometimes even a third letter indicating 'Electric' (the letter E). The year is indicated by the first letter in any series of letters for these years. Early Gibson solidbody electrics received a serial stamp on the back of the headstock, with the first number indicating the year of production. The serial number on this Les Paul Junior indicates that it was made in 1956. 1961-1969Starting in 1961, Gibson implemented a new serialization system designed to cover its entire lineup. However, while the intent was to maintain a more organized catalog, this system in practice achieved the exact opposite.Numbers from this era were flipped, reused, and in many cases can date an instrument to several non-sequential years.
The general system was as follows, though with instruments from this era it’s important to consult key features to get a more accurate age approximation.Fortunately, Gibson was making more changes to its instruments during the ‘60s and ‘70s than any other period, so dating these instruments by features alone is relatively clear-cut in most cases. YearApprox Serial Range19-1464-6667096709670-0991963, -1001963, 0-1491963, -1991963, -1991963, -1963196419641221964, -196529653831965, -, -, -350-320699.
YearApprox Serial Range-39653791965, -, 190-396639663966391-4966496649664251965-66, 190-5965, -5101965, -5561966, 191-695966, -596959695900969601-606090. YearApproximate Serial Range-8968896899689968996896Despite being purchased by the Norlin corporation in 1970, Gibson maintained the same confusing 6-digit serial system through 1975, meaning instruments with the same serial number could be from either the ‘60s or the ‘70s.Fortunately, there were two notable changes to the entire lineup that occurred during the transition that make differentiating ‘60s and ‘70s Gibsons straightforward. 1958 Les Paul CustomStarting in 1970, ‘Made in USA’ was stamped on the headstock below the serial number.The serial numbers from this period are generally as follows: NumberYear01-S19000S19000S19000S19000S1970, 1971, 1972, 1974, S1970, 1971, S1973, 1974, S1970, 1971, 197 NumberYear99XXXXXX197500XXXXXX197606XXXXXX19771977-CurrentStarting in 1977, Gibson adopted the current date-based serial system which codes for the year and day of production. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year.For example, the serial number 90237XXX corresponds to a production date of 1/23/97. The last three (or four as of 2005) digits signify the location of production and batch number, respectively, but this information isn’t necessary to accurately dating your instrument.
Prewar wire/brass rod armrest for banjo. This is a pull from a Gibson TB-2 banjo from the late 20s. It's probably an aftermarket piece. These are popular style armrests with open back players.
This has the screw adjustment legs to get the height of the armrest correct and they fasten to the hooks and nuts on the banjo. Nice shape with a little brass showing through the top of the bar. Please contact me at(615) 866 7170 before pressing the'Buy It Now' button to ask questions and find out how to save $5 on this purchase. Please be assured that I am an honest seller of parts. I will not, as some online sellers do, try to pass off inferior parts as the genuine item. I like to buy and sell mostly Gibson Banjo related items. Please refer to the BANJO HANGOUT where I am a member in good standing under the name Lou Bourbon.
I will stand. Behind these parts and I will never send you something that is broken(unless advertised as such) nor will I pass off low quality work as anything but the truth. Detailed pictures are always provided and I am happy to talk to you either via email or by phone about items listed for sale. Local pickup is always welcomed. Shipping is done with excellent care in packing.
Soon to be available. Very nice original set of Grover two-tab tuners as used on 1920s and 1930s Gibson banjos. These are the type with the opposing tabs more commonly used in the1920s. Complete with ferrules and screws. Reasonable reserve. On Feb-23-13 at 14:40:36 PST. Seller added the following information: I noticed that I did complete the answer to the question posted below.
The tuners all turn smoothly. One case cover plate is loose on one side of one tuner as pictured. I have occasionally found these loose over the years as the flaring of the metal Grover did to hold the cover on is very thin as you know.
The cover plate is held in place when the tuner is installed- there is zero issue with it. One thing I did not point out in the original listing. If you notice. It is very unusual to get the screws and ferrules with a set. Most anytime I have. Seen a set for sale, they are both screw-less and ferrule-less. Nice pre war gibson oriole tenor banjo with an 11 inch pot it's the thick one 3/4 inch.Has hoop tone ring should make a nice five string conversionor play the way it is as a tenor.The tailpiece is a recent clamshell type.It has a good neck and almost 0 fret wear the action is nice.The skin head is in exellent shape.The case is chip board later probably 60's era.The parts should be worth the money.This is a nice playing tenor.I will try to answer any questions.This is a US only auction.Ohio res pay sales tax.
For Sale: Gibson Florentine Tenor- 8734-1- Vintage 1928 United States. FL, Two piece flange. Three ply rim with factory cut decal and equipped with a full 20 hole full weight flathead tonering. Small co-ordinator rods, gold plated and engraved hardware, all parts are factory original. The gold is in nice condition and all engraving is in fine order.
The resonator is white holly with Christmas tree binding and beautifully carved with the Coat of Arms motif. The tenor neck has the same type binding along with the fretboard etched and painted scenes of Venice still very vivid.The peghead is fiddle shaped and set with rhinestones and so is the Ice Cream Cone in the center of the peghead.Original gold planet tuners with MOP buttons. This banjo still sports the original Rogers three star skin head. This is a wonderful instrument and has had good.
Care in all the years it has been in this one family. Curtis McPeake has recently seen and authenticated this banjo and states that it is absolutely all original condition and is housed in the original hard shell case. Gibson postwar RB-100 5 string banjo with case. Excellent overall condition.
Comes with extra strings which are old and I can't vouch for their condition. 2 picks, toning tool and lockable banjo case are included. The case is also 1950's and needs a little TLC as age and dust has robbed it of it's luster, and does have a pea sized scratch/knick on the neck of the case. Model number is listed and pictured.
I always thought the number was 7080-86 but I cannot find it using an online search the last digit imprint is a little fuzzy and may be an 8 which I can find online to a 1957 RB100 post war Gibson Banjo. Paper work confirms this as a RB100 out of Kalamazoo. Gibson Made Kalamazoo KRB 5 String Banjo from 1939 NO RESERVE SCROLL DOWN FOR PHOTOS Up for bids is an interesting old Kalamazoo banjo from 1939(factory order number is EK-852) If you're reading this you're probably aware that Kalamazoo was one of Gibson's budget brands back in the 1930's and early 40's.
And they were made alongside other Gibson products. This is the KRB 5 string model, and from what information I can find Gibson didn't make many of these and most Kalamazoo banjos were 4 string tenor or plectrum versions. It appears to be all original and it's in good shape for such an old banjo. There is some mild finish and wood damage on the lower back edge of the sunburst wooden back(see close up photos) It looks like the banjo may have gotten damp there and the wood separated a bit.
It doesn't look like. Anything that will get worse, and I imagine it could be repaired. Otherwise it just shows normal player wear and tear. I'm including LOTS of photos taken from every angle so be sure to check them all out.
As you can see there is some finish wear on the back of the neck, and some of the metal parts show wear and surface rust. It's currently strung and tuned up and it seems to play OK, though I should mention that I'm a guitar player and almost clueless about banjo picking. The bridge looks a bit too tall and the head sinks down a little right under it, so assume the banjo will need some set up work and a more appropriate bridge. The tuners are holding pitch, though they are pretty old and simple looking. Frets are in good shape. The original case is long gone but I will include the padded gig bag you see in the photos. I don't know what else to add so look it over and feel free to ask any questions.
I'm listing it with NO RESERVE so bid to win! SHIPPING: Fedex shipping and insurance to the lower 48 states will be $35. If you have a P.O.
Are located in Hawaii or Alaska, or otherwise require USPS shipping it may be higher depending on destina. You're bidding on a pre-war(I think) Gibson Mastertone 5-String Banjo with Hearts& Flower Pearl Inlay on both fingerboard and back of resonator that match.Beautiful instrument.
Beautiful sound. I bought this from an 85 year old gentleman that said he bought it 60 years ago and he was the sole owner.Developed arthritis and don't play anymore.I've searched all of the websites I can find but to no avail.I can find no numbers on the piece or tags but in searching the banjo experts web pages,Gibson in 30& 1940 was notorious for not labeling their instruments and did it sporadically.I even email Gibson in Kalamazoo and did not get a reply whatsoever. The only two nickel& dime issues with the banjo is long time ago somebody relocated the 5th string capo and moved it closer to the 5 peg so there is an unfilled 1/32 hole in. Neck below the new position of the capo.The other issue which does not affect the fretting or sound is that many, many moons ago looks like the frets were replaced and there are 3 or four frets slightly flattened. I've played it many times and see no issue as I have played a banjo for 50 years. It has a hardshell case in VGC. Can't really tell what the wood is on neck and resonator but I figure you will know as I have taken good close ups of these areas.
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I have purposely not cleaned and polished the instrument to show you the ageing on the banjo and lack of cleaning.Theres no pitting whatsoever and you can see the worn nickel on the armrest and that really doesn't happen overnite.Please email with your questions as this is truly a collector piece. About 30 years ago My Dad took me to Jim Yarboro's house in Gun Barrel City to buy my first GOOD banjo. I played them all and picked this one because of the crispy tone and the cool flowerpot inlay. Jim made the neck himself. He also offered me full trade-in value if I ever wanted to upgrade.
The pot is all original including the tone ring. The truss rod cover is gone. But it was probably a Stew-Mac one to begin with. You'll need some resonator screws too, because there's only one. A little discoloration on the resonator.
Some of you banjo guys probably know the secret formula to wipe it off with.I think Gary Price does. Other banjos have come and gone.
But this one has always been my favorite. I need to sell to pay off some medical bills. Treat her nice, please.
Here's a clip of me playing it. THE GIBSON Tenor Banjo 1926 Pre-War Kalamazoo Serial 8352- 40 Structurally sound and shouldn't require a lot of work for full restoration. Does need work though: 1) Needs new strings 2) Wood is scratched in places. Needs refinishing 3) Missing a screw that holds the back to the body. Please see pictures and validate the serial number provided. It's amazing the variety and rarity of items I come across at this auction house. Please see my store.
I add things almost daily so if your interested in rare items like this please check back often. Up for auction is a vintage.
Pre-War, maple Gibson Granada Tenor Banjo neck. The neck is in good condition.
Please see description below for detailed items. This neck is from a vintage Pre-War Gibson Granada Tenor Banjo that utilized a two piece flange.
There are 18 frets on this banjo neck. The fingerboard has Hearts and Flowers inlay markers at the 3 rd, 5 th. And 15 th frets. Please note that one small piece of the 3 rd fret inlay is missing. The neck has the Granada side binding. The finish on this flamed maple Granada neck is in fair condition and shows a heavy amount of playing wear within the first 5 frets. The neck does not have any tuners.
The neck does have the string nut. The neck does have the lower lag screw. The back of the peghead is in good condition and shows the screw holes of the old tuners(no. Tuners are included with the neck) The front of the peghead has inlay of Gibson and also Mastertone. The fingerboard is rosewood and in good condition with moderate playing use to the fingerboard. The frets show significant playing wear through the seventh fret.
The neck has the playing wear as discussed above. I do not see any cracks in the neck. The neck is not twisted or warped. This neck does have a truss rod. Some frets show significant use.
This is a good condition Gibson Granada tenor neck. And could be used to restore a beautiful vintage Gibson Granada banjo. I have done my best to accurately describe the item.
But I may have missed something you feel is important. Please ask any questions before bidding.
As all sales are final. Bidders only. Ships to U.S. Paypal Confirmed address only. We do not ship to any country outside of the U.S. Buyer to pay actual USPS priority shipping costs from zip code 96756. Payment to be received within 3 days of close of auction.
All sales are final. Sorry, no refunds. Be sure to check our other auctions for more great items. Thanks for looking. And good luck! RcmdId ViewItemDescV4,RlogId p4%60bo7%60jtb9%3Fvo%.
Up for sale is this very one-of-a-kind Gibson Conversion banjo. What is converted?
It was originally built by Gibson in 1934 as a plectrum banjo. Model PB-11, and the body is now attached to a custom-color matched Nechville neck. As many know, the PB-11's were not serial stamped on the rim. More about that conversion is written below by the Luthier/craftsman that performed the conversion. In addition to being a wonderful sounding instrument.
It carries with it all the intrigue and wonder of a Gibson pre-war banjo. A guarantee that goes with it: there is not another banjo like it on the planet. Part of the story behind the conversion is that this all-original historical pot was selected to become one of the first'Flex-Tone' banjos from Tom Nechville. It attaches a comfortable, modern, adjustable neck to the pot with'the. Old sound' The connection piece that joins the neck with the pot is officially called the Flux Capacitor, and is available by custom build from Nechville Musical Products.
Nechville necks are known by professionals around the globe as having the highest standards of quality and playability. Imagine having solid mating of the body and the neck with the extra benefit of being able to adjust string action to match your playing preferences.
You can learn more about that connection piece on the Nechville web site: Here is a better way to describe how this instrument's conversion came about. And what owning this banjo might mean for you. The Banjo Dream by Tom Nechville If you are a banjo player. You probably share my opinions concerning the banjo. We just can't tolerate anything being out of sorts for the most enjoyable and confident playing. Even the look and feel of the instrument needs to be right for the experience to be its best. It's my job to fulfill banjo dreams.
Whether that means fixing those irritating problems through a professional tune-up or providing a whole new banjo, we can agree that it's more fun to play with the right equipment. When I dream. Terms of Auction I normally ship within three business days. But if I can I will ship it sooner. Please contact me with any comments or questions@ 401) 481-5406 PLEASE DO NO SEND PAYMENT UNTIL YOU RECEIVE AN INVOICE FROM ME. If you bid and win an item, it's yours and it's not going anywhere.
I strive to maintain 100% feedback and a five star rating, so I want you too be happy with the whole experience and I do appreciate your business. If you have any problems please contact me so we may resolve them. Please ask any and all questions before bidding. Here is one of the rarest of the rare pre-war Gibson-made banjo's. It is a Truett plectrum banjo made in 1929(FON#9373-2 written on the inside of the resonator and on the tone ring) fitted with a modern. Modified 5-string neck. The unique pot, tension hoop, tone ring, brackets, flat-back resonator, and resonator flange are all original and the original 4-string Truett neck is included.
It has a Rogers skin head on it and the previous owner installed'head-lights' inside the pot to heat up the skin head if desired. The lights can be easily removed and did not require any modifications to the banjo. The newer 5-string neck was purchased from Stewart-MacDonald many years ago and is perfectly straight with very minimal fret wear and has an adjustable truss rod that is accessible through the heel end of the neck.
The previous owner. Modified the new neck by adding a block of wood to the bottom of the heel so that it would match the unusually deep pot. The headstock is fitted with the 4 original'pancake' Grover tuners that all work perfectly and the 5th string tuner is a newer Waverly. There are railroad spikes at the 7th and 9th frets.
The original Truett plectrum neck is in great shape with its original finish and inlays all in tact. The banjo comes with its original black hard case that is fully functional.
But is very worn from 80 years of use. These Truett's are some of the rarest banjo's that came out of Kalamazoo and finding one in this kind of shape is unheard of. You can find the history of the Truett line of instruments on line or in one of the many reference books about Gibson. On page 91 of the'Spann's Guide To Gibson' you will find the listing of FON 9373 as a PB-Truett from 1929. We will only ship to a verified Paypal address in the CONUS and to an eBay member with more than 10 positive feedback.
This banjo has had a very interesting life up to this point. First and foremost. It is NOT a collector piece and is NOT being sold or described as one.
The description is accurate in every sense. What the banjo is can only be described as an amazing sounding, easy playing, punchy pre war that no one would balk taking to a jam, upon a stage, or into a studio with. It can be your soul mate or your second pre war banjo to take out in the elements and keep the prized puppy at home. It doesn't care it just wants to work and it works hard. The tone is unbelievable. The ease of play is incredible. As a side note, if you attended SPGMA, and came up to the Huber Banjos suite, Steve had this rim(rim only) with some chrome parts and a pre war style 4 resonator put together with a maple neck playing it from time to time and many folks saw it.
After SPGMA I now have put it to the original specs as best I could. First the rim is pre war style 3 out of the 9489 batch stamped and label in tact. The label is cut meaning a Huber HR-30 full flat head ring now replaces the original 40 hole archtop ring that was original to the banjo. I do not have the original archtop ring.
There has been a hole punched in the rim to allow for a crude installation of either a pick up or what I think was internal lights added to the interior of the banjo. There are 4 tiny screw holes on the inside of the rim that obviously held the apparatus in place. The metal is all pre war with only one exception the tailpiece bracket it new. I would purchase a pre war one piece flange tailpiece bracket if one is for sale anywhere. Flange is flat hoop solid no metal excuses tailpiece is punched presto tuners are Grover pancakes 5th string has a pre war button fitted to match. The head is Huber and the bridge is also The neck is a new Huber RB-75 with large bold Gibson script(steel guitar type found on late 75s) flur dis les(sp?
In peghead and modified leaves and bows late fingerboard inlays. Rosewood board Maple neck that matches. VINTAGE PRE WAR CIRCA 1925'S GIBSON ORIOLE TENOR BANJO IN ORIGINAL CASE VINTAGE PRE WAR CIRCA 1925'S GIBSON ORIOLE TENOR BANJO IN ORIGINAL CASE. THE GIBSON COMPANY MADE THE ORIOLE BANJO IN 1925 AND 1926. IT IS IN GREAT CONDITION WITH SOME WEAR TO THE FINISH- PLEASE SEE PHOTOS.
IT IS ABOUT 31' TALL AND 11' IN DIAMETER. IT IS MARKED WITH SERIAL NUMBER'8003- 47' THERE IS A RECEIPT IN THE CASE FOR A CALFSKIN BANJO HEAD REPLACEMENT THAT IS DATED 2006. THE CASE HAS SOME WEAR AND TEAR BUT STURDY ENOUGH TO BE USABLE. PLEASE EMAIL WITH ANY QUESTIONS THAT YOU MAY HAVE. I PURCHASE MOST OF MY ITEMS AT ESTATE SALES AND DESCRIBE THEM TO THE BEST OF MY ABILITY. ALL OF MY ITEMS ARE USED UNLESS OTHERWISE NOTED.
THEY ARE SOLD IN THE CONDITION THAT I FOUND THEM IN. I AM NOT AN EXPERT ON ANYTHING AND CAN ONLY DESCRIBE WHAT I KNOW. I AM COMMITTED TO 100% 5 STAR SATISFACTION.
PLEASE CONTACT ME BEFORE LEAVING FEEDBACK IF YOU ARE NOT 5 STAR HAPPY WITH YOUR PURCHASE. Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge Click to Enlarge DO NOT DUPLICATE OR COPY! Template Made By: © InkFrog.com Auction Templates. Logos, Store fronts and more! Inkfrog terapeak. TODAY 8/13/2014 I need to move this banjo so I'm reducing the price of the banjo 1000 dollars from the original listing.
After that it is going to get parted out for restoration. This is a great opportunity.
Give me a shout if you are interested. This banjo has had a very interesting life up to this point. First and foremost. It is NOT a collector piece and is NOT being sold or described as one. The description is accurate in every sense.
What the banjo is can only be described as an amazing sounding, easy playing, punchy pre war that no one would balk taking to a jam, upon a stage, or into a studio with. It can be your soul mate or your second pre war banjo to take out in the elements and keep the prized puppy at home. It doesn't care it just wants to work and it works hard. The tone is unbelievable. The ease of play is incredible. As a side note, if you attended SPGMA, and came up to the Huber Banjos suite, Steve had this rim(rim only) with some chrome parts and a pre war style 4 resonator put together with a maple neck playing it from time to time and many folks saw it and were amazed.
After SPGMA I now have put it to the original specs as best I could. First the rim is pre war style 3 out of the 9489 batch stamped and label in tact. The label is cut meaning a Huber HR-30 full flat head ring now replaces the original 40 hole archtop ring that was original to the banjo. I do not have the original archtop ring.
There has been a hole punched in the rim to allow for a crude installation of either a pick up or what I think was internal lights added to the interior of the banjo. There are 4 tiny screw holes on the inside of the rim that obviously held the apparatus in place. The metal is all pre war with only one exception the tailpiece bracket it new. I would purchase a pre war one piece flange tailpiece bracket if one is for sale anywhere. Flange is flat hoop solid no metal excuses tailpiece is punched presto tuners are Grover pancakes 5th string has a pre war button fitted to match.
The head is Hube. I WILL ONLY SHIP TO THE LOWER 48 STATES(U.S.A) NO RESERVE Up for bid is this great'Pre-War' Banjo. The company is Wards but was manufactured by Gibson This banjo was made with beautiful Curly Maple wood. Mother of pearl inlay on the neck I belive it to be made made sometime late1920's to mid 1930's. Nice large 11' Head. The Resonator has an depth of 2-2.5' Peg head and Neck are in great condition Missing one Cobra hook as shown in the photos provided. Comes with an hard case.
The case has seen better days but it's kept the Banjo itself in great condition. PLEASE MAKE SURE I HAVE ANSWERED ANY AND ALL QUESTIONS OR CONCERNS BEFORE PLACING YOUR BID. This is a Genuine. Gibson DOEHLER CASTING one piece, Post WWII Flange likely from the late 1950's or early 1960's judging from the shiny underside and perfect looking plating.
This Flange is in like the day it was made condition. VERY nice condition age considered. No Pulling, No Warping, Nothing but a Perfect Gibson Flange. Plating is new looking Nickel that looks almost chrome it is so shiny. Finish is original. THIS IS A USED FLANGE. You can see all the dimensions in the photographs.
But here ya go anyway: Outside diameter of the flange: 13- 1/8' Inside diameter of the flange: 10- 11/16' tight) Inside diameter of the wood rim seat(larger inside lip) 10- 7/8' Total height: 7/8' Wood rim inset lip height: 1/4' Please take a look at the pictures or ask any questions you want. And thank you for looking. Bidding starts at $0.99 and NO RESERVE Good Luck and thank you for looking! Richie Dotson Acoustic Box Stringed Instrument Repair Chesterfield.
ROCKWELL/DELTA INDUSTRIAL TOOL BANDSAW CUTTER GUIDE HOLD KNOB Up for bid is for a PRE WAR GIBSON BANJO ORIGINAL NICKEL PLATED ARCH TOP TONE RING IN EXCELLENT CONDITION. ALL ORIGINAL NICKEL PLATING 99% AND UNMODIFIED. PULLED FROM A 1928 STYLE 3.
The patcher will detect the subfolder forthe chosen application automatically.3. If you're planning to use any 32 bit versionprogram, you have to navigate into the 'Program Files (x86)' folder as well topatch the corresponding files.2. Choose the product you want to patch. Place the patcher into the 'Adobe' folder.a.) If you're using a 32 bit OS, you have to navigate into the 'Program Files' folderb.) If you're using a 64 bit OS, you have to navigate into the 'Program Files' folderto patch the program in 64 bit. Press the iOTA-logo on top to let the patcher register the desired product.4.
Be Sure To See My Other Related Items By Clicking The Link Below. I will gladly combine shipping on multiple items. Due to high volume of requests. ALL INTERNATIONAL SHIPPING COSTS TO BE DETERMINED POST AUCTION. Ag6 2.RcmdId ViewItemDescV4,RlogId p4%60bo7%60jtb9%3Fuk.rp73%28c%3Eag6%3E2-14bb51eab66-0x118.