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Install Samba 4 On Debian Wheezy Rating: 6,4/10 3186votesTools for extending Samba Samba is an implementation of the SMB/CIFS protocol for Unix systems, providing support for cross-platform file sharing with Microsoft Windows, OS X, and other Unix systems. Samba can also function as a domain controller or member server in both NT4-style and Active Directory domains. These packages contain snapshot versions of Samba 4, the next-generation version of Samba. These should be considered experimental, and should not be used in production.

This package contains include files shared by the various Samba-based libraries.Samba and the new Debian Wheezy. Tue Jun 19, 2012 4:02 pm.

Just downloaded the latest 2012-06-18-wheezy-beta and have been trying to set up Samba, using as my guide. Trying to access my Mac from the Pi results in 'operation not permitted'. I have just installed a new Debian Wheezy and I am trying to create a new. How can I easily configure samba share in Debian Wheezy?

Install Samba & required. Before setting up your Samba4 domain controller you will want to remove any older versions of Samba 3.x to prevent interference with Samba4, unless you plan on migrating an old NT style Samba3 domain controller to Samba4.If this is the case, this tutorial is not for you.; If you are starting with a fresh. Apparently smbpasswd doesn't work unless you install samba-common-bin, according to a poster on another thread (Dante-something I think). Neither does pdbedit, at least it didn't for me.I have now installed samba-common-bin and have done the password bit of the process, but I still can't connect to the Pi from the Mac (using smb://192.168.1.6/steve) - 'There was an error connecting to the server etc'. I've removed Samba and re-installed it with no effect (although I noticed that this didn't remove the smb.conf file and replace it with a new fresh one, as it still had all my edits in place).

Losing the will to live on this particular problem now - there must be some basic step(s) I'm not picking up from the tutorial on e-linux, or there is something specific to Wheezy that is throwing up a problem. Finally got Samba working.During the process I managed to trash my smb.conf file - it wasn't recreated on a subsequent apt-get remove and install, so I copied a minimal one from a random internet source, added a few lines that seemed appropriate and by some miracle it worked. All very well, but this is what I hate about Linux - I managed to get it working by not knowing what I'm doing, but trying to do it the right way by following instructions didn't work at all.I am now no further forward in terms of understanding. Stevep wrote:All very well, but this is what I hate about Linux - I managed to get it working by not knowing what I'm doing, but trying to do it the right way by following instructions didn't work at all. I am now no further forward in terms of understanding.If you have the time, and you're still willing to learn, you could try comparing the working config file and the non-working config file, and try 'fiddling' them backwards and forwards (and restarting samba) until you can work out why one version works and the other version doesn't work? And you'd learn a lot more about the smb.conf file in the process.

Similar experience using wheezy when googling the issue there were so many diff ways to setup the conf just for squeeze, it leaves me confused as which i should use. I know im trying wheezy but just the fact so many differences on squeeze was confusing. I cant see the wood for the trees, its one thing i dislike about linux. Though im determined to get better.Anyways sudo pdbedit -a -u pi seemed to work for the pi user but public folder sharing failed from following instructions as dids simons last part from this link his site seems down at mo so cant check the rest.

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This is a free light version of the Recovery Refill from Here's info on. Specially designed for Reason users.Here's what you get. Zoozle.net - News Archive mit allen wichtigen Bittorrent News vom 24 april 2007 mit Reason ReFills Electronic Dance Trance Goa.I feel that many of us long time regulars are now at the point where we know exactly how to go about creating a state of the art sound library and could quite happily record Strings, pianos and so on.

But how to start such an ambitious operation? You need access to the right recording equipment, the engineering skills, the instruments, the musicians (for instruments that require skill to even make a sound) as well as the right direction on what sound you want to get out of these instruments.From where I'm standing it seems that resources are of paramount importance, but in order to accumulate those valuable resources you will need to start from humble beginnings and grow until you are capable of producing the larger sample libraries. Years ago I saw develop from a small creator of Korg Triton and Fantom X Refills and Kontakt patches into a big time sound library creator. They now have a fancy production studio in Canary Wharf (the commercial capital of London, England) and have the resources to create whatever they please. See, when I see people demanding large string libraries, drum kits and modern sounds, all that comes to mind is the fact that many forum members have the capability of doing so, including myself.

Okay, I'm not quite the synth expert I would love to be, though I am working on it, but really I thought I would just create a little encouragement to anyone out there who has spent more than enough time cutting their teeth and now are ready to finally take the leap and let their knowledge and experience manifest into an actual creation.So may your inspiration continue to take you in new directions, and I wish you all the best in your success. I am also asking for your thoughts on how to go about becoming a big time Refill / IDT creator. I'm just getting the ball rolling by sharing my thoughts.I don't have any experience with this specifically, but I think I've had some analogous experiences which have taught me: Start small.

Don't invest any money you can't afford to lose. You'll likely have some 'growing pains' and learn a ton in your first few failed attempts, and you will likely have failed attempts. Then grow as needed.So maybe start just making a free refill of forks banging on beer bottles at different pitches. Your only investment will be time (assuming you have a mic). I don't know what you'll learn, but I guarantee you'll learn a ton about how to record samples, what to record exactly, what gear works best, how to treat a room, how to package and market your product, etc. So that you won't have to learn all that while dealing with paying musicians or renting quality equipment (studio space, mics, pre-amps, etc.) Not sure if this helps, but it's my two cents. Basically take your current capabilities, and think about what voids exist, whether you could fill those voids.Or just do something different yet appealing.

I'd say start with the NNXT and as you master sampling and mapping for it (whether you release a refill of just do it for yourself) then you can start looking at Kontakt/IDT scripting related stuff.Theres quite a bit to learn from the NNXT if you're new to creating multi-sampled instruments What stops the average user from creating a string library however would be the costs involved. Rent the studio, the musicians.etc. But start simple and sample a plugin. If you're a mac user, then grab Mainstage for $30 USD and use the new autosampling feature to sample with directly from the channels strip. It'll only create an esx24 patch but you can take the resulting samples and map the for the NNXT. Something else I'd suggest is to follow a developer, one who's fairly open about their development process.I don't necessarily have an interest in making RE or Refills myself, but I've gotten lots of insight by simply watching Jamal Hartwell's (Gospel Musicians) product videos. Naa wrote:Hey all, New Atlantis Audio here!

I've been lurking a bit, but saw this thread and it's kind of a perfect first post for me because I am actually about to launch an entire course on this exact subject. I promise this post is so NOT meant to be a pitch for my course. The truth is that a forum really isn't a great place to give or digest this kind of info, and also, if I really dove in and got started I may never stop.OK, so I wrote a book on this topic a few years back called Loop Life.

Sold well, people liked it, helped a bunch of folks, but it was very much conceptual.If you find the book online, don't even bother to buy it. This course blows it out of the water and is WAY more useful. The course is literally a step-by-step blueprint to get from zero, to launching a product with buyers already lined up and waiting for it. I don't own a fancy studio (I actually just work from home mostly), but I have been in this industry since 2001 and have a multiple six figure soundware biz just on my own. You could certainly grow and scale, build a team, build a studio in the city, all that stuff you talk about if you want to — I'm just a simpleton who is trying to move to the woods.Anyway, here's the deal 99% of soundware creators are simply doing it all wrong - and this is what keeps them on the never ending hamster wheel of mediocrity, if they're lucky. Most never make enough to keep going at all.I'm watching the replies you are getting closely, and they all revolve around the same wrong ways of doing things. That's NOT a diss to anyone replying!

It all seems logical enough, and that's why everyone does it the same way, but so few succeed. There is a very small handful of people really killing it in this biz, and most people's instinct is to simply copy what they see them doing. The problem is that ALL of the meaningful stuff is happening behind the scenes. And I'm not even convinced the big names are practicing some of the best stuff I'll be preaching. It would be crazy of me to guarantee how much success you'll achieve from taking an online course (there are a lot of factors, like any biz), but I can guarantee that it is the absolute best advice anyone could ever get going into this industry, and that this is the exact way I do it.It's almost 15 years of knowledge, experimentation ( fun fact: the entire NAA label was started just as a marketing experiment! ), failures, successes, business models, etc.

I've made myself the soundware biz crash test dummy for a long, long time and have soaked up a crazy amount of insight along the way. It's not a shortcut, there's no such thing. BUT it will give you an unfair advantage and put you WAY ahead of anyone else starting from zero. It's mostly geared toward selling on your own, but everything definitely applies for folks who just want to be a sound designer and let someone else distribute it for them. I'm getting ready to launch super soon and people on my email list will be the first to know (and get hooked up with a nice deal as usual).This is my email list of Reason peeps — you can sign up there if you want. I have some free webinars and other fun stuff coming up around the launch and I always announce that all via email.

If you're interested in this stuff at all you should get on my list anyway, because I am setting all of 2015 aside to just teach this stuff. I stacked up a bunch of product releases on deck and put the whole sound biz on autopilot (and I'll be teaching how I did that too). This industry can be kind of insular, very little sharing among peers.People tend to have this weird thing around competition, when really there is no such thing and we could and should all be feeding each other's businesses. But I'm the only one I know who is willing to talk about it. That's something I'm trying to change as well. Anyway, now I'm rambling.

PS: Not to be a huge bummer, but when I coach people on this stuff I don't typically recommend Reason as a tremendously profitable platform. For me, it represents an ok percentage of my income because I've built up a nice little following, but I make way, way more from other formats.Reason is a tiny market, and to jump into it with something as resource-intensive as Rack Extensions is really kind of asking for trouble, in my opinion. Please do feel free to email me directly from the NAA site any time. Hey, I did say follow a developer. Sounds like the perfect opportunity.

Agreed on the the Reason point.If you intend for this to be lucrative, you'd be crazy to limit yourself to such a small market. The thing to remember is you are starting a business, this will not be fun most of the time. You will have to spend a lot of money up front (seed capital) to create your products.

But before you do anything like that, you have to do market research to find your niche in the market, in a market that is super-saturated. Then you need to find or create a method of finding customers to buy your product (don't underestimate this part!) I would invest in a copy of Translator - it does crash if you make it try and do too much, but then you can take any format and convert it to other formats. You could create a patch in nnxt, and convert it to kontakt, etc. You probably want recycle as well as learning to use refill packer.If you can't do graphic design, you can get someone online to create your cover, but knowing photoshop etc. Is a must since you will want to edit the files to your own pleasing.

I know someone who has created an FS1R library - its 15 dvds. They sell it on ebay, but so far has sold only two copies, one of those was me.Its a difficult sale if you are not good at marketing and packaging your products to make them look great, and have really good demos of your products in use. But one place i would say is a never-ending source of unique sounds is the human voice, you never get two vocal samples the same.

A good example of finding a niche product and packaging it well on ebay would be amazound, they seem to have hit the mark there and have a nice little business. Them and new atlantis. Then there are all the bigger players, but you have to start somewhere, and those two are good examples.togogenerator.